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January 2005: Film Structure / Film Language

Schedule of Classes / Films

JAN-067 Meets: M-Tu-Th-Fri from 2:45-5:15

Dante 204

There will be spot quizzes at the start of most classes
Students are expected to view each assigned movie at least once and preferably twice.

Sample quiz questions (question refers to the movie, Road to Perdition, which we will NOT be studying): How old is Michael Jr. at the time of the main story?; Right after Connor kills Michael Sr.’s wife and the younger son, does he see Michael watching him from outside the house?; When John Rooney learns his son, Connor, has killed Michael’s wife and younger son, he flies into a rage. What does he do to Connor who cowers before him? (three parts, 5 points each – possible 15 points here)

Students will work with a Checklist to help them deconstruct each film.

Note that students should screen on DVD. VHS copies are not an option as they are almost all vastly inferior as to quality and content.
Most students will probably want to rent or purchase a copy of each film, although a reserved copy will also be available to screen at the Library. Note that students will NOT be purchasing any text books for this class. The movies themselves are our text books.

 

Highly Recommended:
have the means to play and pause in your room
DVD copies
of the movies we will be studying --
either on a DVD player on your computer
or on a separate DVD player + TV

Descriptions of class subjects are only approximate and will be expanded or contracted as time allows. Although not likely, actual assigned films may change to adjust to class needs. Any changes will be posted. Please always check for updates.
(page last updated: 01/23/2006)

    Films Assignment for following class
Jan 3 - #1
Mon
  in class:
 
  • Honor Code review
 
  • The beginnings -- early history
 
  • The Checklist -- what it is, where to get it
 
  • Common student writing mistakes
 
  • Sample films of the Lumière Brothers, Méliès' Voyage to the Moon, Porter's The Great Train Robbery

Write a two-page essay about a film you particularly love or hate.  You are trying to persuade the reader to go and see this film or else to NEVER see it. Argue your case well. Both content and writing style count.

 

Jan 4 - #2
Tues
 
  • Due at start of class: two-page essay
  • How grading works
  • opportunity to rewrite today's essay
  • History Cont: Battleship Potemkin
  • Basic concepts cont.: Film Structure, Film Language
  • screen Citizen Kane, Orson Welles
  • Fill out Checklist for Citizen Kane -- bring 2 copies to next class, one to turn in, one to keep
Jan 6 - #3
Thurs
 
  • First essays returned
  • due at start of class: Checklist for Citizen Kane
  • Quiz on Citizen Kane
  • discuss writing assignment #1 including common errors
  • review film  Structure & Language
  • begin discussion Citizen Kane, Orson Welles, using checklist.
  • Write 3-page Obit for Charles Foster Kane
Jan 7 - #4
Fri
1941
  • due at start of class: 3-page obit for Charles Foster Kane
  • due at start of class: rewrite of first essay (optional)
  • using checklists, continue discussion Citizen Kane, Orson Welles
  • opening shot from A Touch Of Evil
  • screen  Throne of Blood, Akira Kurosowa -- set DVD to view subtitles by Linda Hoagland, NOT by Donald Richie -- so we are all using the same terms.
  • Fill out Checklist
Jan 10 - #5
Mon
1957
  • due at start of class: Checklist for Throne of Blood.
  • Obits returned
  • using Checklists, discuss Throne of Blood, Akira Kurosowa
  • compare to silent version of Floating Weeds by Jasujiro Ozu
  • or: Macbeth as filmed by Roman Polanski

 

Jan 11 - #6
Tues
1959
  • due at start of class: Checklist for The Seventh Seal.
  • using Checklists, discuss  The Seventh Seal Ingmar Bergman
  • screen parts of Wild Strawberries by Bergman
  • questions re Mid Terms
Jan 13 - #7
Thurs
1960
  • due at start of class: Checklist for Breathless.
  • using Checklists, discuss Breathless, Jean-Luc Godard
  • screen part of In Praise of Love, 2000 film by Godard
prep for mid terms
Jan 14 - #8
Fri
  MID TERMS
  • Part 1: Detailed questions about early Film History, Film Language, and Film Structure;
  • Part 2: Pick 3 out of 5 questions and write short essay answers.
  • screen Chinatown, Roman Polanski
  • Fill out Checklist
  • For your Final Essay: prepare a 3x5 card with the title of the film and the name of the director. Turn in your card at our next class.

 

Jan 17 -   Holiday: Martin Luther King Jr.  
Jan 18 - #9
Tues
1974
  • due at start of class: Checklist for Chinatown.
  • using Checklists, discuss Chinatown, Roman Polanski

due at start of class: 3x5 cards with Final Essay name of film and director

  • screen either Tax Driver, Martin Scorsese (film choice tbd)
  • Fill out Checklist

 

WEDNESDAY
(the ONLY Wed. this Jan Term for this class)

Jan 19 - #10

1976
  • due at start of class: Checklist for Taxi Driver.
  • using Checklists, discuss  Tax Driver, Martin Scorsese (film choice tbd)

 

Jan 20 - #11
Thurs
1991
  • due at start of class: Checklist for Thelma and Louise.
  • using Checklists, discuss Thelma and Louise, Ridley Scott

 

Jan 21 - #12
Fri
1994
  • due at start of class: Checklist for Pulp Fiction.
  • using Checklists, discuss Pulp Fiction, Quentin Tarantino

 

Over the weekend, write final essay -- at least 2 drafts
Jan 24 - #13
Mon
  In class we will break into groups. Students will critique each others' essay drafts.

At the same time, the Professor will go over each paper with each student one-on-one

 

Jan 25 - #14
Tues
2000
  • due at start of class: Checklist for Requiem for a Dream.
  • using Checklists, discuss Requiem for a Dream, Darren Aronofsky
Jan 27 - #15
Thurs
2004
  • due at start of class: Checklist for City of God.
  • using Checklists, discuss City of God, Fernando Meirelles

final rewrites of essay

 

Jan 28 - #16
Fri
  FINALS - Essay
Employing what we have learned in class about film language and structure, students will write a 3-4 page essay about a film we HAVE or HAVE NOT covered in class and which was directed by either: Orson Welles, Akira Kurosowa, Jasujiro Ozu, Ingmar Bergman, Jean-Luc Godard, Roman Polanski, Martin Scorsese, Ridley Scott, Terrence Malick, or Quentin Tarantino.   More details provided after Mid Terms.